Dear J-
I’ve driven home from the beach barefoot — the rime of salt and sand slowly drying as we motor along. When I get to wherever that particular there is, I swing my legs over the side and brush off my feet before getting out of the car, shaking the memory of sun and surf off my head before moving on to more permanent things. Sometimes it feels as though my memories are suspect, like sand castles built too close to the tide line; bringing the remnants home helps to anchor them in my mind. There is nothing like walking barefoot on sand, but I posit there is also nothing like walking barefoot no concrete with sandy feet, nor is there anything like the feel of the worn rubber pedals under bare feet.
I could probably count the number of beaches I’ve been to on a few hands. I think humans have been to any interface between land and water at least once, however; there’s something that draws us, with the inconstant water slowly wearing on the permanent fissures of the land. The water’s role, playful and beguiling at times, stormy and furious at others, contrasts with the solid, stolid earth, reliably predictable and plodding. It is the study of dynamic contrasts that gives us drama.
In the quiet of the dark morning the sea continues its relentless pursuit of each wave ashore followed by another, and another. Light brings activity, and when the light goes down, we build our fires on the beach, heaped high with the castoffs from the ocean, crackling fluid flames reaching into the night until we grow restless and restful and leave the cycle to start again. If you focus on the patterns in life that’s all you’ll ever see, the same series repeated ad infinitum, just as if your world is full of conflict, that’s how you’ll approach your life. The two blend together at water’s edge; you perceive them at once, forever and instantly.
Mike